Limbus – A shared world anthology

JournalStone Publishing is pleased to announce our first ever shared world anthology, Limbus, which will be released in the fall of 2012.  We are featuring five authors, combining five individual stories, that will come together as one.  The star studded cast of authors are, Joseph Nassise, Benjamin Kane Ethridge, Anne C. Petty, Brett J. Talley and Jonathan Maberry.  These authors combine for several accolades including multiple Bram Stoker awards as well as multiple nominations, New York Times best sellers, international best sellers, service as HWA President and on and on.

 

If you were anticipating a novel that will be the talk of 2012, this will be it.

 

Look for future announcements/updates on the project over the next few months.

 

The synopsis is below.

Are you laid off, downsized, undersized?

Call us. We employ. 1-800-555-0606

How lucky do you feel?

 

So reads the business card from LIMBUS, INC., a shadowy employment agency that operates at the edge of the normal world. LIMBUS’s employees are just as suspicious and ephemeral as the motives of the company, if indeed it could be called a business in the ordinary sense of the word.

 

Job offers vary greatly in their particulars: one might find anything from a high-level assassination to a seemingly simple cat-sitting job and all the worlds of horror/dark fantasy in between.

 

In this shared-world anthology, five heavy hitters from the dark worlds of horror, fantasy, and scifi pool their warped take on the shadow organization that offers employment of the most unusual kind to those on the society’s fringe.

 

Who can say whether the recruiters for LIMBUS, INC. are good guys or bad guys? They might be both. The terms of the jobs offered might be as outrageous as the compensation promised. There may be contingency clauses not obvious to the recruit. The end result of the job may be success or failure, and the contractor may live to seek another assignment, or not.

 

One thing’s for sure – you’ll never think the same way again about the fine print on your next employment application!

HWA 2011 Stoker Nominations

I would like to be the first to congratulate JG Faherty (Greg) and Brett J. Talley on being nominated for a 2011 HWA Bram Stoker Award.

Greg was nominated in the Young Adult category and Brett was nominated in the First Novel Category.

This is a wonderful accomplishment and an amazing achievement for both of these authors and for JournalStone Publishing. We are lucky to work with such talented people and wish them both the best of luck in the final round.

JournalStone is honored that our first year of publishing has attained such lofty results. We never imagined that two of our authors would attain this level of recognition in such a short amount of time.

We want to thank the HWA, our staff and all of our authors and we wish Greg and Brett the best of luck in the final ballot to be announced March 31, 2012.

Complete list of nominees:

This year’s nominees in each category are:

SUPERIOR ACHIEVEMENT IN A NOVEL A Matrix Of Angels by Christopher Conlon (Creative Guy Publishing) Cosmic Forces by Greg Lamberson (Medallion Press) Floating Staircase by Ronald Malfi (Medallion Press / Thunderstorm Books) Flesh Eaters by Joe McKinney (Pinnacle Books) Not Fade Away by Gene O’Neill (Bad Moon Books) The German by Lee Thomas (Lethe Press)

SUPERIOR ACHIEVEMENT IN A FIRST NOVEL Isis Unbound by Allyson Bird (Dark Regions Press) Southern Gods by John Hornor Jacobs (Night Shade Books) The Lamplighters by Frazer Lee (Samhain Horror) The Panama Laugh by Thomas Roche (Night Shade Books) That Which Should Not Be by Brett J. Talley (JournalStone)

SUPERIOR ACHIEVEMENT IN A YOUNG ADULT NOVEL Ghosts of Coronado Bay, A Maya Blair Mystery by J. G. Faherty (JournalStone) The Screaming Season by Nancy Holder (Razorbill) Rotters by Daniel Kraus (Delacorte Books for Young Readers) Dust and Decay by Jonathan Maberry (Simon & Schuster Books for Young Readers) A Monster Calls by Patrick Ness (Candlewick / Walker) This Dark Endeavor: The Apprenticeship of Victor Frankenstein by Kenneth Oppel (Simon & Schuster / David Fickling Books)

SUPERIOR ACHIEVEMENT IN A GRAPHIC NOVEL Anya’s Ghost by Vera Brosgol (First Second) Locke & Key Volume 4 by Joe Hill (IDW Publishing) Green River Killer by Jeff Jensen (Dark Horse) Marvel Universe vs. Wolverine by Jonathan Maberry (Marvel) Baltimore Volume I: The Plague Ships by Mike Mignola and Christopher Golden (Dark Horse) Neonomicon by Alan Moore (Avatar Press)

SUPERIOR ACHIEVEMENT IN LONG FICTION 7 Brains by Michael Louis Calvillo (Burning Effigy Press) “Roots and All” by Brian Hodge (A Book of Horrors) “The Colliers’ Venus (1893)” by Caitlin R. Kiernan (Naked City: New Tales of Urban Fantasy) Ursa Major by John R. Little (Bad Moon Books) Rusting Chickens by Gene O’Neill (Dark Regions Press) “The Ballad of Ballard and Sandrine” by Peter Straub (Conjunctions: 56)

SUPERIOR ACHIEVEMENT IN SHORT FICTION “Her Husband’s Hands” by Adam-Troy Castro (Lightspeed Magazine, October 2011) “Herman Wouk Is Still Alive” by Stephen King (The Atlantic Magazine, May 2011) “Graffiti Sonata” by Gene O’Neill (Dark Discoveries #18) “X is for Xyx” by John Palisano (M is for Monster) “Home” by George Saunders (The New Yorker Magazine, June 13, 2011) “All You Can Do Is Breathe” by Kaaron Warren (Blood and Other Cravings)

SUPERIOR ACHIEVEMENT IN A SCREENPLAY True Blood, episode #44: “Spellbound” by Alan Ball (HBO) The Walking Dead, episode #13: “Pretty Much Dead Already” by Scott M. Gimple (AMC) The Walking Dead, episode #9: “Save the Last One” by Scott M. Gimple (AMC) Priest by Cory Goodman (Screen Gems) The Adjustment Bureau by George Nolfi (Universal Pictures) American Horror Story, episode #12: “Afterbirth” by Jessica Sharzer (20th Century Fox Television)

SUPERIOR ACHIEVEMENT IN A FICTION COLLECTION Voices: Tales of Horror by Lawrence C. Connolly (Fantasist Enterprises) Red Gloves by Christopher Fowler (PS Publishing) Two Worlds and In Between: The Best of Caitlin R. Kiernan (Volume One) by Caitlin R. Kiernan (Subterranean) Monsters of L.A. by Lisa Morton (Bad Moon Books) The Corn Maiden and Other Nightmares by Joyce Carol Oates (Mysterious Press) Multiplex Fandango by Weston Ochse (Dark Regions Press)

SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY (EDITING) NEHW Presents: Epitaphs edited by Tracy L. Carbone (NEHW) Ghosts By Gaslight edited by Jack Dann and Nick Gevers (Harper Voyager) Blood And Other Cravings edited by Ellen Datlow (Tor Books) Supernatural Noir edited by Ellen Datlow (Dark Horse) Tattered Souls 2 edited by Frank J. Hutton (Cutting Block Press) Demons: Encounters with the Devil and his Minions, Fallen Angels and the Possessed edited by John Skipp (Black Dog and Leventhal)

SUPERIOR ACHIEVEMENT IN NON-FICTION Halloween Nation: Behind the Scenes of America’s Fright Night by Lesley Pratt Bannatyne (Pelican Publishing) Reflections in a Glass Darkly: Essays on J. Sheridan Le Fanu edited by Gary William Crawford, Jim Rockhill and Brian J. Showers (Hippocampus Press) Starve Better by Nick Mamatas (Apex Publications) Everything You Ever Wanted to Know About Zombies by Matt Mogk (Gallery Books) The Gothic Imagination by John C. Tibbetts (Palgrave Macmillan) Stephen King: A Literary Companion by Rocky Wood (McFarland & Company, Inc., Publishers)

SUPERIOR ACHIEVEMENT IN A POETRY COLLECTION How to Recognize a Demon Has Become Your Friend by Linda Addison (Necon Ebooks) At Louche Ends: Poetry for the Decadent, the Damned & the Absinthe-Minded by Maria Alexander (Burning Effigy Press) Surrealities by Bruce Boston (Dark Regions Press) Shroud of Night by G. O. Clark (Dark Regions Press) The Mad Hattery by Marge Simon (Elektrik Milk Bath Press) Unearthly Delights by Marge Simon (Sam’s Dot)

Support for the Navy Seals

Support for the Navy SEALs

In August of 2011, the Navy SEAL community suffered its worst single day loss of life in its more than 50-year history when a team of SEALs aboard a special operations helicopter was shot down in Afghanistan. Like everyone with ties to the Naval Special Warfare, writer Jeffrey Wilson was deeply affected by this event. Everyone in the community is connected in some way to the families devastated by this tragedy.

Together with JournalStone Publisher Christopher C. Payne, Jeffrey has set out to raise money for the Navy SEAL Foundation, a non-profit organization that provides direct support for wounded SEALs and others from the Special Warfare community, and provides support and comfort for the families left behind when SEALs are killed in the line of duty. 

For the entire month of February, Jeffrey Wilson will donate 100% of his royalties from his novel THE TRAITEUR’S RING to the Navy SEAL foundation. In an incredible show of generosity and support, Chris Payne at JournalStone has agreed to not only match this donation, but in fact donate 100% of JournalStones’ February profits from this book during February. 

Jeffrey Wilson, a vascular and trauma surgeon, was deployed multiple times supporting the Navy SEALs as a combat surgeon. Although he left active duty in late 2007, he remains an active reserve member. Still assigned to the SEALs, Wilson runs a training program for SEAL medics. 

In Wilson’s novel, Americans confront terrorism; injured soldiers regain their health; sacrifice is rewarded; flashbacks and terrifying childhood memories serve the greater good; ancient (and infallible) wisdom is available to true seekers; and emotional connection binds people together for an eternity. Wilson is currently available for interviews. His publisher, Chris Payne, is also granting interviews. Please let me know if you’d like additional information. Thank you for your time and consideration. 

Author Bio: Jeffrey Wilson

Jeffrey Wilson, the son of a U.S. Air Force fighter pilot who later joined Pan Am as a pilot, spent much of his childhood in Berlin, Germany at the height of the Cold War (1970 – 1975).  He has worked as a musician (fife and drum corp) and actor; a firefighter/paramedic; and pilot and flight instructor. That was before he completed his residency in general Surgery and rejoined the Navy. He was a featured physician while the chief resident on trauma in an episode of “Trauma: Life and Death in the ER” on The Learning Channel during this time. 

Wilson did a Fellowship in Vascular Surgery at USF from 2002-2004. He reported for duty as a Vascular Surgeon to Portsmouth Naval Medical Center in July 2004. There he was the Director of Vascular Surgery research and director of the Non-invasive vascular Lab. In January 2005, he deployed as a Combat surgeon assigned to a FRSS team (the so-called “Devil Docs” who set up battle field surgical support with the Marines). They were in the Al Anbar province of Iraq for 6 months.

Upon his return, he was recruited by Naval Special Warfare to provide surgical support as a combat surgeon with the Navy SEALs. He left active duty in Late 2007 but remains in the reserves, still assigned to the SEALs where he runs a training program for SEAL medics. He works as a Vascular Surgeon at the VA and as a Trauma Surgeon at Tampa General Hospital with the University of South Florida. 

THE TRAITEUR’S RING is his first published novel, and is part of a three-book contract with his publisher. THE DONORS is due out next summer and FADE TO BLACK the following year. He is currently working on his fourth book.

Publisher Bio: Christopher C. Payne

Christopher C. Payne was born in DeSoto, Ill., in January 1967. He received his bachelor’s degree in finance from Southern Illinois University at Carbondale, graduating in 1990. Currently he lives in San Francisco, Calif. In his spare time, he enjoys biking and snowboarding with his wife and two daughters.

Holding down a corporate accounting/finance job, Payne embarked on a literary career, delving into the world of writing with no preconceived idea of what to expect. He wrote three novels and edited an anthology before realizing his calling was more in tune with publishing. 

JournalStone was established in 2009, became a publishing company in late 2010 and published its first novel in the spring of 2011. Publishing over 10 novels in 2011 was quite an accomplishment for a budding small press but 2012 holds the promise of some enormous potential for JournalStone Publishing. 

Link to purchase the book on Amazon:

http://www.amazon.com/Traiteurs-Ring-Jeffrey-Wilson/dp/1936564173/ref=sr_1_4?s=books&ie=UTF8&qid=1327378437&sr=1-4

Book Information:

The Traiteur’s Ring

By Jeffrey Wilson, M.D.

JournalStone

ISBN: 978-1936564170

www.jeffreywilsonfiction.com

Contact Information:

Stacey J. Miller, Publicist

S. J. Miller Communications

Randolph, MA

http://www.bookpr.com

mailto:sjmiller@bookpr.com

telephone: 781-986-0732

90 Minutes to Live – Interview – Brad Carpenter by Brett J. Talley

90 Minutes to Live is an anthology dedicated to Rocky Wood.  Rocky, the current president of the HWA, was diagnosed with ALS and the proceeds from this book will be donated to help him purchase much needed medical equipment.  If you are interested in purchasing the book please follow this link to Amazon and know you will be supporting a great cause.

Brad Carpenter wrote, Godforsaken, one of the short stories included in 90 Minutes to Live and Brett J. Talley, author of That Which Should Not Be was kind enough to conduct the interview.

So sit back, relax and get to know what makes Brad Carpenter tick and how he came about writing horror.

Brett:  Tell us a little bit about yourself. Where are you from? What do you do for a living when you aren’t writing?

Brad:   I was born and raised in Knoxville, TN. However, I recently moved to Los Angeles. I live with my wife, Melissa, and my daughter, Paisley, and our crazy Weimaraner named Penny. Unfortunately, I am still serving tables and slinging drinks at the Cheesecake Factory. It is a good job, but damn…. I wish I could write all day long.

Brett:  What made you decide to submit your story, Godforsaken, to the 90 Minutes to Live Anthology?

Brad:  Well, I met Chris Payne (President of JournalStone) at the Horror Writer’s Association Conference last June. We became friends and he encouraged me to submit a short story. I did and got second place. Bo-ya! 

Brett:  Godforsaken is probably the most disturbing story in the entire anthology. In fact, it was so disturbing, the editors decided to use a scene from the story for the cover art. How did you feel about that?

Brad: Delighted! I was on a mission to disturb and I believe I succeeded! 

Brett:  Godforsaken makes me think of a movie version of the most disturbing aspects of Dante’s Inferno. What was your inspiration?

Brad: The Divine Comedy is an obsession of mine. Everything I write ends up having some aspect of Dante in it. “Godforsaken,” stole massive amounts of Dante because half of it is set in hell, or in a hell-esque environment.  The theme was 90 minutes to live… so I thought, what is something that’s 90 minutes long? And then it hit me… most films are that long. What if I could put people into a film, where they had the entire length of the movie to escape. If not…. well you know. And then, it turned into what if the devil came to earth and made a movie, what would it look like? I’d be a Grindhouse film. Wow, can you imagine the mind-blowing special effects!?!

Brett:  One of the problems with writing horror is people look at you funny when they read some of the stuff you write. Has your story “Godforsaken” had that result with anyone?

Brad: Constantly. No one in my family will read anything I write. My wife does, but that’s about it. Especially not my parents. They raised me up to be a hardcore Baptist, so this kind of thing makes them terribly uncomfortable. 

Sometimes it comes up at work that I write. Their eyes light up and they ask, “Oh really, what do you write?” When I say horror I see their interest suddenly wan. However, I have a suspicious feeling that it wouldn’t matter what genre I said, unless I wrote about teen vampires. Then, they’d be interested. 

Brett:  You obviously have quite a talent for short stories. What is your favorite short story? Do you have a favorite from 90 Minutes to Live?

Brad: Wow thanks for saying so, very nice of you. You’re making me blush. My favorite short story I’ve ever read is “Shoggoth’s Old Peculiar” by Neil Gaiman. As for the anthology, I’d have to say my favorite is “Acapulco Blue,” but each one is great.

Brett:  What author has inspired your writing the most?

Brad: Well we’ve already covered how much I love Dante. But I’m also inspired by: Michael Chabbon, Dan Simmons, George RR Martin, Jesse Bullington, Neil Gaiman, Peter Straub, Douglas Clegg,  and of course the big three of horror: Poe, Matheson, and King.

Brett:  What does your writing process involve?

Brad: Very extensive notes. I have writer friends who hardly ever use notes, they just wing it. Hell no. Not me. Plan, plan, plan. Even after so much planning, I write myself into walls all the time. So, once I get stuck… I plan again and get unstuck. Then, eventually I’m at the end of the novel.

Brett:  What is it about horror that attracts you?

Brad: Genre fiction attracts me. Be it fantasy, sci-fi, or horror. I love going to worlds unseen. I love putting normal, everyday characters into “x-files-type” situations, love to see how they react, how they cope.

Brett:  Obviously the electronic book is on the rise. What do you think about that? Greatest thing ever? Or creeping Communist subversion?

Brad: Hahaha, somewhere in-between great and communistic. This makes me think of Stalin holding a Kindle or a Nook and reading The Girl with the Dragon Tattoo.

Brett:  Now that self-publishing has become easier and less expensive, a lot of writers who might never have had their work see the light of day can be published. How do you think authors can separate themselves from the pack, and what advice do you have for readers who are trying to sift the good from the bad now that some of the gatekeepers are gone?

Brad: It is all about networking. If someone has a self-published book, one can almost judge the quality of content by how much time the author has spent trying to pedal their work, and by all the buzz it generates.

Brett:  What book is next on your list to read?

Brad: Well I’m reading The Magician King, by Lev Grossman right now. After that…. uh…. dunno. Perhaps The Prague Cemetery by Umbeto Ecco, Or Bernard Cornwalls got a new book coming out, maybe that. Or maybe I’ll finally get around to reading that Jo Nesbo series people have been talking about. Only time will tell.

Brett:  If you could give one piece of advice to new writers, what would it be?

Brad: Read. Socialize. The latter is sometimes hard, but it is a must.

Brett:  What is your next big project?

Brad: Writing a novel called Hangman’s Highway.

Brett:  Where can we follow you and your career on the web?

Brad: Happydagger.net

90 Minutes to Live – Interview – Bruce Golden by Brett J. Talley

90 Minutes to Live is an anthology dedicated to Rocky Wood.  Rocky, the current president of the HWA, was diagnosed with ALS and the proceeds from this book will be donated to help him purchase much needed medical equipment.  If you are interested in purchasing the book please follow this link to Amazon and know you will be supporting a great cause.

Bruce Golden wrote, Acapulco Blue, one of the short stories included in 90 Minutes to Live and Brett J. Talley, author of That Which Should Not Be was kind enough to conduct the interview.

So sit back, relax and get to know what makes Bruce Golden tick and how he came about writing horror.

Brett:  Tell us a little bit about yourself.  Where are you from?  What do you do for a living when you aren’t writing?

Bruce:   I was born, raised, and still live in San Diego.  Even though I decided I wanted to write fiction as a teenager, for most of my life I made a living as a magazine editor/writer, a radio editor/reporter, and a TV news producer.  These days, all I do is write fiction–a “starving artist” as it were.

Brett:  What made you decide to submit your story, Acapulco Blue, to the 90 Minutes to Live anthology? 

Bruce:  It seemed to have all the elements the editors were looking for.

Brett:  Acapulco Blue is one of the science fiction entries in the anthology.  Do you write primarily in the Sci-Fi genre, or were you just looking to branch out? 

Bruce:  All of my fiction to-date is of the speculative variety.  My novels are all science fiction, but my short stories are both scifi and fantasy.  Many of my stories have been described as “Twilight Zone” types of tales–which I take as a compliment.

Brett:  Acapulco Blue is as much about a car—a classic Ford Mustang—as the characters who drive it.  What was your inspiration for the car? 

Bruce:  Actually, the car in the story is based on the first car I ever owned–a 1965 Mustang which I had painted in a color designated as “Acapulco Blue.”  Though I had to sell that car when I was drafted into the Army, I drive another ’65 Mustang today.  I’ve owned it for 25 years–though it’s red, not blue.  Friends say I’ll be buried in it.

Brett:  One of my favorite parts of the story was the invention of futuristic slang that the young people use.  How’d you come up with that? 

Bruce:  I’ve always loved playing with dialects and creating my own words or phrases.   When you write about the future, or about fictional societies, you get to do that.  My favorite creation of that type was in my novel Better Than Chocolate.  But you’ll have to read the book to find out what exactly “pow-whammy” means.

Brett:  How is writing a short story different than writing a novel? 

Bruce:  A short story normally only plays with a single idea, one or two main characters, and I can usually write the first draft in a day or two.  A novel, for me, is a product of various ideas pieced together–many of which may have been in my drawer for years.   My novels have all had numerous characters–from walk-ons to those whose viewpoints carry the narrative.  I make it a point to hone the characterizations of even minor characters.  And though a short story can occasionally call for some research, a novel can takes weeks of research to ensure accuracy.  And, of course, the biggest difference is the time it takes to write.  Barring any outside interruptions that life can throw at you, it takes me about six months to write the first draft of a novel.   Then I have several categories of re-writing that take at least a few months.

Brett:  Who is your favorite author?  Favorite book? 

Bruce:  I grew up reading Edgar Allan Poe, Robert E. Howard and Mark Twain, but Robert Heinlein was always my favorite.  Stranger in a Strange Land was my favorite book.  Years later I grew to love the Dune series.  These days I don’t have a favorite, but I like Greg Bear, David Brin, and writers of that ilk.

Brett:  What’s the most disappointing book you have ever read?

Bruce:  (can’t think of one offhand)

Brett:  What does your writing process involve? 

Bruce:  I outline pretty thoroughly and then push through on the first draft,  just letting the words flow  out, knowing I can go back and “fix it up” during the rewriting process.  But just because I outline doesn’t mean that sometimes the story takes off on its own tangent.

Brett:  What is it about science fiction that attracts you?  Why not write books about ponies? 

Bruce:  I’ve always been fascinated with the idea of other worlds–unique societies–and I guess I enjoy the chance to create my own.  Science fiction is also a good way to comment, indirectly, on our own societies, and on humanity.

Brett:  Obviously the electronic book is on the rise.  What do you think about that? 

Bruce:  Greatest thing ever?  Or creeping Communist subversion?  I like the idea of a book I can hold in my hand, and I like the idea of copies of my books on library shelves.  But I understand, if for no other reason than economics, e-books are the wave of the future.

Brett:  What are your opinions on self-publishing vs. the more traditional publishing route? 

Bruce:  Every writer wants a major publishing house to publish their book, and, barring that, a smaller publisher.  However, technology has made self-publishing a more viable option for those who get ignored.

Brett:  What book is next on your list to read? 

Bruce:  Actually, I’m going to read the other stories in 90 Minutes to Live.

Brett:  If you could give one piece of advice to new writers, what would it be? 

Bruce:  Write in the genre that you love to read, and read as much as you can in that genre.  And just keep trying.  When I started out trying to sell magazine articles, it took me more than four years before I got my first sale.  Many of my short stories, including Acapulco Blue took years to find an editor who appreciated it.  If you want to do it, you just have to keep on keepin’ on.

Brett:  What is your next big project?  

Bruce:  I’m in the final rewrite process of my fourth novel Red Sky, Blue Moon.  Its speculative ingredient:  What if alien beings visited Earth long ago, and culled people from dissimilar cultures and transplanted them to another world?  How would their various cultures develop?

Brett:  Where can we follow you and your career on the web? 

Bruce:  My website is http://goldentales.tripod.com/ and you can find links to my books there.  Occasionally I’ll tweet a twitter @goldenmissive or you can just Google my name and find my latest work online somewhere.

90 Minutes to Live – Interview – Jeffrey Wilson by Brett J. Talley

90 Minutes to Live is an anthology dedicated to Rocky Wood.  Rocky, the current president of the HWA, was diagnosed with ALS and the proceeds from this book will be donated to help him purchase much needed medical equipment.  If you are interested in purchasing the book please follow this link to Amazon and know you will be supporting a great cause.

Jeffrey Wilson, “The Writer”, is one of the short stories included in 90 Minutes to Live and Brett J. Talley, author of That Which Should Not Be was kind enough to conduct the interview.

So sit back, relax and get to know what makes Jeffrey Wilson tick and how he came about writing horror.

Brett:  Tell us a little bit about yourself.  Where are you from?  What do you do for a living when you aren’t writing?

Jeff:  Hey, Brett. I’m a Virginia boy, mostly, though I moved around a lot and spent much of my childhood in Berlin, back when the wall was still up. I live in Tampa now with my family. When not writing I still work with the Navy and also work as a Vascular and Trauma surgeon. Of all the things I do, writing is by far my favorite.

Brett:  What made you decide to submit your story, “The Writer,” to the 90 Minutes to Live Anthology?

Jeff:  Well, like you and JG Faherty, I have a great relationship with the publisher and was very excited to be a part of a project to raise money for Rocky Wood, the HWA president and a terrific writer, to help him with his fight against ALS. I liked last year’s anthology and was pleased to be in this one, especially for such a great cause.

Brett:  I found “The Writer” to be an excellent story, maybe because it preys upon that secret fear that all writers have—what if somehow, some way, the things I wrote actually came to pass?  Do you ever have that fear?

Jeff:  I guess that as a fear, it might be somewhat unique to writers of our genre, right? I mean, most people would be okay if their story about the cure for cancer bringing about world peace came to pass, but horror– no real upside there. I’m not sure I have the fear of my writing coming to pass. Maybe it’s more the other way around. Maybe I have some fears already and let them come to life in my writing. This story was just kind of a fun muse, I think, but once I started writing, it kind of took on a life of its own.

Brett:  What scares you?

Jeff:  That shouldn’t be a hard question, but it is… I’m scared of situations where you have no control over the outcome. Not like will you get a raise or win the lottery, but situations where the outcome could be deadly but you don’t have control. That’s horror to me, and really most horror stories can be boiled down in some way to that loss of control. I used to be a pilot and I hate not being in the pilot’s seat. However it turns out, I would rather be in control of my destiny.

Oh, and clowns. God, I’m terrified of clowns.

Brett:  You spent time in the military (special forces, if I remember correctly).  How does that experience affect your writing, particularly your novel, Traiteur’s Ring?

Jeff:  The Traiteur’s Ring , more than my other works, was inspired by my experiences working with the Navy SEALs overseas. It was the greatest honor of my life to serve beside these men and those experiences affected a lot of aspects of that book. My deployments showed me a lot about evil, the real life evil that exists in the world. In my books, that evil is usually an outside force, wreaking havoc and begging to be defeated. In war you see a more terrifying evil, a real evil that can exist inside man. I think you can write more comfortably about fictitious evil when you have experienced the consequences of real evil first hand. Another way my experience took on life in my book was in the characters of The Traiteur’s Ring. The book is about a small team of Navy SEALs, especially the team’s sniper and medic, who discover both an evil force while on deployment in Africa and also amazing powers that the main character inherits from a primitive village elder. I tried to write those characters, not as the super hero, larger than life characters we frequently see SEALs depicted as in film and books, but as the real people I know from that fraternity. They are fathers, husbands, friends, and sons–everyday guys doing extraordinary things. They have incredible skills and courage, but at their core they’re Shakespeare’s everyman, but  with an impossible job that they do, with little fanfare, and then come home to their families. That is the men I know and the characters I tried to create for The Traiteur’s Ring.

Brett:  How is writing a short story different than writing a novel?

Jeff:  In a lot of ways, for me at least, it’s a lot harder. When you have a 100,000 words or so in which to tell your tale, you can kind of relax and let the plot develop and unfold comfortably (I have been accused by some of taking a bit too much advantage of that). In a short story, you have to be concise, tell the story with a lot more economy, but somehow still develop your plot and characters in a way that brings them to life. I find it a lot more challenging, to be honest, and have a world of respect for folks that do it consistently well.

Brett:  Who is your favorite author?  Favorite book?

Jeff:  I grew up loving King, Koontz, Straub– the greats of our genre, but also loved the thriller writers like the old Ludlum books and John Le Carre. I still love King and actually find his later works even better than his older stuff. I’ve become a fan of Joe Hill and particularly liked HORNS. My favorite fiction book so far is King’s BAG OF BONES and my first pick non-fiction was Marc Luttrell’s LONE SURVIVOR.

Sorry, you just wanted one of each, didn’t you?

Brett:  What’s the most disappointing book you have ever read?

Jeff:  Truthfully, I never read a disappointing book far enough to really be disappointed. If I don’t care about what’s happening pretty early on I tend to put it down and move on.

Brett:  What influences you the most when picking something to read?  Cost?  Word of mouth?  Cover art?

Jeff:  That’s tough. A lot of books I pick because I know I like the author or have heard from friends that a book really rocked. If it’s an author I don’t know, cover art is important– it gets you to pick the damn thing up, but then the summary has to grab me.

Brett:  What is it about horror that attracts you?  Why not write books about ponies?

Jeff:  Ponies? Really? You know I think you tend to write what you love to read. I’ve always had pretty eclectic reading taste, but my favorite has always been horror or thrillers with at least a supernatural twist. I’m not really a gore fest kind of guy, but I love an exciting, character driven story where the writer makes me feel like I know his characters well enough to really care what happens to them when he or she places them in some terrifying situation. You get to ride along through such an incredible range of emotions when you read a well written book like that. Also, like most everyone who reads the genre, I LIKE that heart pounding exhilaration of being scared out of my wits. When you write horror you remove a lot of boundaries for how you develop your characters and what sides of them you can really show.

Brett:  Obviously the electronic book is on the rise.  What do you think about that?  Greatest thing ever?  Or creeping Communist subversion?

Jeff:  Wow, you live in a black and white world of real absolutes, don’t you Brett? I think the rise of eBooks is a great thing. It gives readers greater, easier access to books at a lower cost. It gives writers and publishers easy access to potential readers. Now having said that, I’m still one of those love-to-hold-a book-in-my-hands kind of guys. I’ve read a ton of eBooks on my device, but when a book is released that I’m really excited about, I am definitely more likely to buy it in print. One things for sure, though– like it or hate it the eBook market is sure to stay and likely to continue to grow. No way around it, and no real downside to that fact from a writer’s point of view.

Brett:  What are your opinions on self-publishing vs. the more traditional publishing route?

Jeff:  I remember when self publishing was completely taboo, but a lot has changed over the last few years. I still feel that a new author will have a great deal of difficulty finding true success by starting off in that realm. My writing and editing skills have improved dramatically as a result of working with professional publishers and editors in the traditional publishing world, though I know there are some notable exceptions to this. I think that self publishing is fast becoming an attractive alternative for established authors, who bring with them a good sized fan base. There are a lot of big name authors enjoying better creative control and financial independence by going to self publishing back list and even new titles. For a new author, though, I still don’t think it represents a real route to success, at least not yet.

Brett:  What book is next on your list to read?

Jeff:  I am about 50 pages into Richard Godwin’s first novel APOSTLE RISING and I really am captivated by both the story and the writing. I already highly recommend it. I just finished King’s newest book 11/22/63 and I loved it.

Brett:  If you could give one piece of advice to new writers, what would it be?

Jeff:  Write ‘cause you love it and stick with it. If you don’t love the process it will really be tough to make it, because the road to publication is long and full of painful rejection, often by people who never read your stuff. If you love the writing process itself, you can keep going because the writing becomes its own reward. I was at a lunch where Tom Clancey told the group that he hated every minute of writing and that if he could find another way to make the same living he would do it in a second. I remember at the time thinking that had to be bullshit, because how could you possibly write any length story if you didn’t enjoy the writing? Maybe it’s true for him, and if so he is way more disciplined and committed than I am.  I love to create a story and if I didn’t I could never do this.

Brett:  What is your next big project?

Jeff:  Well, like I’ve said in other interviews I’m weird about talking about unfinished work. The book I’m finishing up now involves a little boy with a supernatural gift that terrifies him, a Dad with a secret past, the ghost of a murdered little girl, a collection of long dead pirates with evil intent, a sailboat, and the family sailing vacation from hell. There is also a mallet, but I’ve already said too much.

I am also waist deep in edits (my least favorite part of writing) for my novel THE DONORS, which will be released this summer by JournalStone Publishing. It’s sort of a horror meets medical thriller book:

A powerful and evil force is at work in the Hospital where little Nathan is recovering from injuries at the hands of his Mom’s abusive ex-boyfriend. Demonic looking men with pale faces and glowing eyes lurk in the shadows and, worse, it appears that someone is harvesting skin and organs from living– and awake– donors against their will. In his dreams, little Nathan can see these demons in their true form– evil creatures who feed on the fear and hatred they help create in their victims. Nathan’s only ally is the young Doctor who cares for him. Bound together by their shared legacy of abuse, they also seem to share the ability to see the creatures for what they are. Together they must find a way to destroy the demons before their own loved ones become the next victims and the evil creatures grow too powerful to stop.

Brett:  Where can we follow you and your career on the web?

Jeff:  My website is updated frequently with information about current and upcoming works and also has a link to send in comments and questions. Find me at  www.jeffreywilsonfiction.com . You can also find stuff about all the JournalStone authors and books at http://journalstone.com

This interview was conducted by Brett J. Talley, author of That Which Should Not Be.

90 Minutes to Live – Interview – JG Faherty by Brett J. Talley

90 Minutes to Live is an anthology dedicated to Rocky Wood.  Rocky, the current president of the HWA, was diagnosed with ALS and the proceeds from this book will be donated to help him purchase much needed medical equipment.  If you are interested in purchasing the book please follow this link to Amazon and know you will be supporting a great cause.

JG Faherty’s Univited, is one of the short stories included in 90 Minutes to Live and Brett J. Talley, author of That Which Should Not Be was kind enough to conduct the interview.

So sit back, relax and get to know what makes JG Faherty tick and how he came about writing adult and young adult horror.

Brett:  Before we get into your writing, why don’t you introduce yourself?  Where do you live?  What do you do for a living when you aren’t writing?

Faherty:  Hi, Brett! Well, let’s see. I live in a small town in Rockland County, NY, about 40 minutes north of Manhattan. When I’m not writing, I’m writing – my business is writing resumes and other employment search documents. I also do the occasional newspaper article, plus some proofreading and editing. So, basically, I’m at the keyboard all day long.

Brett:  What made you decide to submit your story, “Uninvited,” to the 90 Minutes to Live Anthology?

Faherty:  Well, there were a few. First, it’s for a great cause. Rocky Wood, the current president of the Horror Writers Association, was diagnosed with ALS (Lou Gehrig’s Disease), and proceeds will be going to help him buy some much needed medical equipment. On top of that, it’s being put out by people who besides being professional associates, I also consider friends. And it was a chance to appear in a book with some excellent new and established writers.***

Brett:  Uninvited tells the story of a couple kids who build a transporter in their basement capable of bringing alien lifeforms into our world.  Where’d you find your inspiration for the story?

Faherty:  Ideas come to me in funny ways. This one was one of those, ‘hmmmm, what if’ moments. As in, all these kids movies about aliens always show the alien as a basically nice guy. What if two kids accidentally brought a real bastard of a life form to Earth?

Brett:  You know, “Uninvited” reminded me of that television show The Outer Limits.  Did you ever watch that?

Faherty:  I take that as a real compliment. As a kid, I loved reruns of Outer Limits and Twilight Zone. My father introduced them to me.

Brett:  You’re also the author of critically acclaimed young adult novel, Ghosts of Coronado Bay.  Tell us a little bit about that novel and your inspiration for it.

Faherty:  That was another ‘what if.’ This time, it was, what if the Ghost Whisperer was a young girl, and instead of just talking to ghosts, she could make them real? From there, the story just took off. Naturally, her powers get her into trouble with some bad ghosts.

Brett:  Both “Uninvited” and Ghosts of Coronado Bay are young adult stories.  What draws you to that style of writing?

Faherty:  Actually, nothing, which I guess isn’t the answer you were expecting! For me, the story writes itself. I get the idea, and it’s either an adult story or one for teens. There really isn’t much difference, anymore, except you cut back a little on the violence and sex for the teen books.

Brett:  C.S. Lewis once said, “A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.”  Do you agree with that statement?

Faherty:  Absolutely. I still read YA books – Buffy the Vampire Slayer, Angel, the Wendy Ward series. Those stories are just as good – sometimes better – than adult books.

Brett:  Given that both adults and young adults can enjoy them, what do you think is the real difference between young adult novels and other novels?

Faherty:  Well, as I said earlier, a little less overt sex and violence. Of course, it depends on the age group. Just think TV. If you’re writing for the pre-teen group, your book should be the equivalent of a Nickelodeon show. A little older, and you can go with regular night time TV. Once you’re writing for the over-15 crowd, then it’s basically HBO R-rated movies. Ghosts of Coronado Bay is the equivalent of network TV. Only a few curse words, no sex scenes. But virginity is discussed, and a ghost tries to assault the heroine of the story. And people die.

Brett:  What’s your writing process?  Do you outline or just dive right in?

Faherty:  Both. I start with a basic premise, maybe a paragraph or two summary. Then I write the first couple of chapters. Then I usually get stuck and start forgetting stuff, so I have to create an outline summarizing each chapter in 1 paragraph. Then I do the actual writing, and usually I stick to that outline about 75%. I did write my first novel, Carnival of Fear, without any outline or summary. It all came right from my head, after I had a dream about it. But I haven’t been able to create like that again, at least in the novel format.

Brett:  How is your process different when you are writing a short story instead of a full length novel?

Faherty:  I don’t outline, for one. I go right from that initial summary paragraph to the story. And I write short stories fast, whereas books often take me a long time.

Brett:  Who are your favorite authors?  Novels?

Faherty:  That’s a tough question. Growing up it was Stephen King, Peter Straub, Dean Koontz, Robert McCammon, Alan Dean Foster, F. Paul Wilson, Roger Zelazny, and several others. Nowdays, it’s Michael McBride, Shaun Jeffrey, Brian Keene, Greg Lamberson, and probably still Stephen King. No one does a better short story than Jack Ketchum or Stephen King. Also, Manly Wade Wellman and Karl Edward Wagner were great short story writers. God, there are so many good writers out there, and then there are the new writers who are making big noise – you should know, you and I are a couple of them, ha ha!

Brett:  If you could quit your day job and write full time (and still eat) would you do it?

Faherty:  Maybe. It depends. I hate deadlines. I don’t do well with them. I could never be one of those writers like Brian Keene who pitches a book and then agrees to have it done in four months. I like to write when I want and what I want. Now, if each book made me a few hundred grand, and I could do one every two years, then yes, I’d do it full time. But if I had that pressure looming over me every month that if I didn’t finish something on time I couldn’t pay the mortgage, then no, I wouldn’t. Because I think that pressure would take the fun out of it for me, make me less creative. Sometimes when you go from a hobby to a job, you lose something. The passion. It becomes ‘work’ instead of ‘fun,’ and then the next thing you know you’re complaining about the time you spend in front of the computer, instead of looking forward to it. 

Brett:  What are you working on now?

Faherty:  A sequel to Ghosts of Coronado Bay. A new adult horror novel. And 3 or 4 short stories. My usual schizo work pattern. Each day I sit down and work on whichever project excites me at that moment. 

Brett:  What do you think about the growing trend toward e-readers, like the kindle or nook?

Faherty:  Initially, I wasn’t a fan. Much like Capt. Kirk, I believe that there’s no replacing the feel of holding a book in your hands, smelling the paper, seeing the cover art. But then I bought a Kindle, and I’m hooked. It’s totally great. You can go on vacation and have a whole library with you, instead of lugging 6 books in your suitcase. You can buy books for a lot cheaper than $30. And from a writer’s point of view, it’s opened a whole new revenue stream, which is always good. Reading will never go away, even if books become the 8-tracks of the reading world. But I don’t think they will. They’ll be more like vinyl albums, respected and cared for by collectors and forgotten by the teens. Which is okay, as long as those teens are reading something, even if it’s digital. Hell, I don’t care if they’re beaming the words into their brains – we writers still have to write the stories. 

Brett:  Where can people follow your writing career?

Faherty:  My website is www.jgfaherty.com. On twitter I’m www.twitter.com/jgfaherty.  And on facebook I’m www.facebook.com/jgfaherty.

This interview was conducted by Brett J. Talley, author of That Which Should Not Be.

Contrition

The Void

The Donors

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